Senin, 02 Juni 2014

Those traditional martial arts which train armed combat often encompass a wide spectrum of melee weapons, including bladed weapons and polearms. Such traditions include eskrima, silat, kalaripayat, kobudo, and historical European martial arts, especially those of the German Renaissance. Many Chinese martial arts also feature weapons as part of their curriculum.
Sometimes, training with one specific weapon will be considered a style of martial arts in its own right, which is especially the case in Japanese martial arts with disciplines such as kenjutsu and kendo (sword), bojutsu (staff), and kyudo (archery). Similarly, modern Western martial arts and sports include modern fencing, stick-fighting systems like canne de combat or singlestick, and modern competitive archery.

Kalaripayattu

Kalaripayattu (pronunciation: [kɐɭɐripɐjɐtːɨ̆]) is an Indian martial art. One of the oldest fighting systems in existence,[1] it is now practiced in Kerala, in contiguous parts of Tamil Nadu and among the Malayali community of Malaysia. It was originally practiced in northern and central parts of Kerala and the Tulunadu region of Karnataka.[2]
Kalaripayattu includes strikes, kicks, grappling, preset forms, weaponry and healing methods.[2] Regional variants are classified according to geographical position in Kerala; these are the Northern style from Malabar region in north Kerala, the Central style from inner Kerala and the southern style from Travancore region of south Kerala. The southern Payattu system is now extinct and the Tamil style of "Adi Murai" is classified as the southern kalarippayattu.
The northern style was practiced in Kerala primarily by the Nairs and Yatra Brahmins, as well as the small Chekavar subcaste of the Ezhavas, some Muslims and Christians. The southern style, called Adi Murai, was practiced largely by the Nadars and similar castes; it has features distinguishing it from its other regional counterparts.[3] Northern kalaripayattu is based on elegant and flexible movements, evasions, jumps and weapons training, while the southern "Adi Murai" style primarily follows the hard impact based techniques with priority in empty hand fighting and pressure point strikes. Both systems make use of internal and external concepts.
Some of the flexibility training methods in northern Kalaripayattu are applied in Kerala dance forms[2] and kathakali dancers who knew martial arts were believed to be markedly better than the other performers. Some traditional Indian dance schools still incorporate kalaripayattu as part of their exercise regimen.

 

History

Origins

Oral folklore ascribes the creation of kalaripayattu to Hindu gods.[citation needed] It was first documented around the 11th or 12th century AD by the historian Elamkulam Kunjan Pillai, who attributed its creation to an extended period of warfare that took place between the Chera and the Chola dynasties in the 11th century.[2]
The art was disseminated through schools known as kalari, which served as centres of learning before the modern educational system was introduced. Still in existence, kalaris served as meeting places for the acquisition of knowledge on various subjects ranging from mathematics, language, astronomy and various theatrical arts.[citation needed] More specifically, martial arts were taught in the payattu kalari, meaning fight school.[citation needed]
Kalaripayattu became more developed during the 9th century[clarification needed] and was practiced by warrior clans of Kerala to defend the state and the king. In the 11th and 12th century, Kerala was divided into small principalities that fought wars among themselves. As part of these there one-on-one duels or ankam were fought by Chekavar on an ankathattu, a temporary platform, four to six feet high.[4][page needed] The traditional astrologer caste Kaniyar were also involved in the training of Kalaripayatuu.[5] Hence they were known as Panickar and Asans.[citation needed]
The Mappila Muslims adopted and practiced Kalaripayattu as their own. The ballads of North Kerala refer to Muslims trained in Kalaripayattu. For instance, the hero of the northern ballads Thacholi Othenan bowed before Kunjali Marakkar, the Muslim commander of the Zamorin, and offered him presents before opening his kalari. Some Mappilas were trained in Hindu institutions known as Chekor Kalaris. The Paricha Kali is an adaptation of Kalaripayattu, and the Mappila tradition of this art is called Parichamuttu.[6]
The Saint Thomas Christians also practiced Kalaripayattu and most Christian settlements had a kalari, that was usually run by a Christian panikkar (officer).[7] In the Jornada, it is mentioned that some Christian panikkars had between 8,000 to 9,000 disciples, who were trained as fighting forces for the local rajahs.[7] One of the most prominent Christian panikkars was Vallikkada Panikkar, whose kalari was located at Peringuzha on the banks of the Muvattupuzha river.[7] He is an ancestor of Bishop Geevarghese Mar Ivanios, one of the founders of the Syro-Malankara Catholic Church.[7]
The writings of early colonial historians like Varthema, Logan and Whiteway shows that kalaripayattu was widely popular and well established with almost all people in Kerala transcending gender, caste and communal lines. It is said to have eventually become as prevalent as reading and writing. Among some noble families, young girls also received preliminary training up until the onset of menses.[2] It is also known from the vadakkan pattukal ballads that at least a few women of noted Chekavar continued to practise and achieved a high degree of expertise.[2] The most famous of them was Unniyarcha of Keralan folklore, a master with the urumi or flexible sword.
The earliest western account of kalaripayattu is that of the Portuguese explorer Duarte Barbosa (c. 1518).[2]
The more part of these warriors when they are seven years of age are sent to schools where they are taught many tricks of nimbleness and dexterity; there they teach them to dance and turn about and to twist on the ground, to take royal leaps, and other leaps, and this they learn twice a day as long as they are children, and they become so loose-jointed and supple that they make them turn their bodies contrary to nature; and when they are fully accomplished in this, they teach them to play with the weapon to which they are most inclined, some with bows and arrows, some with poles to become spearmen, but most with swords and bucklers, which is most used among them, and in this fencing they are ever practising. The masters who teach them are called Panikars.

A colonial-era kalari (1905)

Structure and layout

In Kalaripayat, training sequences are called:
1. Chuvadu (footwork): which is sub-divided into
i) Vatta kaal chuvadu,
ii) Neetta kaal chuvadu,
iii) Kone kaal chuvadu, and
iv) Otta kaal chuvadu

Kalarippayattu practitioner performing Side way leap
2. Vadivu (posture): a sequence of chuvdu to take a particular stand or postures like the animals in nature that adopts to get the momentum before combat.
There are eight vadivu stands:
  • Simhavadivu-Lion posture
  • Gaja vadivu-Elephant posture
  • Aswa vadivu-Horse posture
  • Sarpa vadivu-Serpent posture
  • Marjara vadivu-cat posture
  • Mastya vadivu- fish posture
  • Varaha vadivu-tortoise posture
  • Kukkuda vadivu- cock posture,
These steps are commonly called as Ashtavadivu.

Ashtavadivu a particular stand or postures like the animals in nature that adopts to get the momentum before combat.
3. Prayogams: extension of chuvadus, the emphasis on the use of legs, to acquire the flexibility of legs to use in all directions and heights in combination with jumps and kicks, various stretching and bending exercise done to get the flexibility of waist also.
4. Meythari or Meyppayat: the process of learning adavu-combat techniques. One payat is the sequence of 12 adavus. Adavu is a sequence of arapu. Arapu is a combination of a few thozhils. Thozhil is a combination of chuvadus. Kalaripayat can be called the permutation and combination of adavus and chuvadu performed as per the vaythari-the oral command flow of gurukkal. Hence a rhythmic display happens like a dance following a particular music and that is the performing beauty of this martial art. The ultimate aim of mayppayat is to achieve the "Mey kannakkuka" effect means body as the eyes; body action and reflex at tandem with the eyes.
5. Kolthari or Kolpayat: successful students of Meypayat are given kolthari as a preparatory training for ayudhapayat.
i) ketukari or sarreravadi - a solid rattan pole of length appro: the Ht. of a man Trining in ketukari is given 12 adavus, was a main item in southstyle adimurai.
ii) cheruvadi or muchan- a round shortstick about 21/4 ft and 1.5 inch dia, also 12 adavu training is given.
iii) Ottakol- considered as a prime training item in kolthari, it looks like a solid wood dagger type weapon with a flat ‘s’ shape and a handle .Otta is having a length from 16-18 inches and round wooden of dia 21/2 inch at base to 1 inch at the tip a bud shape is formed. Full training in Ottakol is 18 adavus an exceptional case from others.Ottakol is aimed to use at marma points.
iv) Gadha: wooden club – the brand weapon of Bhima in the legends. 12 adavu course followed good for Bhima size trainees.

Kalarippayattu stick fighting

6. Ankathari or Ayudha payat: in weapon combat first training is given with rattan and wooden type swords and daggers to avoid casualties and after achieving the required skill original metal weapons are tried.
i) Sword and Shield: skills in sword and shield decided grade of a chekavar in medieval day ankakalaris. 12 adavu training is given in the use of sword and shield was a major item in malanadu or northstyle kalari training.
ii) Kadhara or Dagger: daggers of about ¾ ft with special handle and hold is used,also followed a 12 adavu course.
iii) Kuntham or spear: usually seven adavu in spear fight is followed.There is also combination fight to face sword attack with spear is also practiced.
iv) Urumi: Urumipayat is a unique feature of Kerala Kalaris. Urumi is a flexible sword about 5-6 feet which can be tied down at waist like a belt without the notice of public and can be used in emergency. Urumi veeshal can be effectively used to disarm and kill even a group of attackers.
v) Bow and Arrow: before the British period bow and arrow training was important for ribal people as these were their main weapons against enemies or wild animals in jungles.

Urumi
7. Verumkaithari: Barehand fight training in hand blows and punches,leg kicks and blows vast set lock techniques (piduthangal), throws, flyings, aimed at marmas or vulnerable points also called marma prayogams. Different techniques of holds,locks to freeze an attacker,blocks and grips as self defence skills and ozivukal slip and skip steps to topple the balance of an armed attacker. Verumkai prayogam excelled as adimurai in south around Balaramapuram-Nagercovil belt and they developed up to 84 steps in this style.

Barehand fight in kalarippayatu to disarm knife attack performed by Indian Army soldiers
Historians say that this basic system developed by Buddhist monks later they carried to china grown as karate there and spread to the whole world as a modern martial art. Rigorous training in the above described sequence from 1 to 7 is required to become a full fledged warrior of a Naduvazhi or king in the medieval period.

Marmas and prayogams

There are 107 marmas or vital spots in human body, where main nerves and tendons meet called prana sensitive points in Ayurveda;any pressure, hit or blow at these spots could cause unconscious condition to paralysis to even sudden death .There are anti marma prayogams to reverse the impacts at marmams. In traditional kalari only a trusted few is given this special training.
Choondumarmam is high degree of power achieved by Kalari sidhans or masters .The finger is pointed to certain marma points of the enemy like tantra mudras and oral codes or manthras are voiced to produce a hypnotic like effect to freeze the opponent. Tulunadan Kalaris are reputed for tantra-manthra prayogams.
Marmachikilsa is another expertise achieved by masters who heal the marma damages –impacts,internal injuries, dislocation, fracture, or paralysis type cases in fight or fall.Course of uzhichil or particular massage with special herbal oil, like ayurvedic model treatment is a routine affair for all Kalari trainees to enhance the flexibility of joints and toning of muscles. Chavitiuzhichil or foot massage is given at the stage of ankathari. Kalarippayattu is one of rare martial arts which Treat Human musculoskeletal system(locomotor system) and deep injuries
Katchaketal: Katcha is the traditional attire for a kalari fighter. It is a 64 muzham length[1Muzham=46 c.m] dhothi tied in the navel region which is considered as the centre of prana with a special techniques and imparts a moral boost to the fighter

Decline and revival


Kuntham or spear
Kalaripayattu underwent a period of decline when the Nair warriors lost to the British after the introduction of firearms and especially after the full establishment of British colonial rule in the 19th century.[2] The British eventually banned kalaripayattu and the Nair custom of holding swords so as to prevent rebellion and anti-colonial sentiments. During this time, many Indian martial arts had to be practiced in secret and were often confined to rural areas.[citation needed]
The resurgence of public interest in kalaripayattu began in the 1920s in Tellicherry as part of a wave of rediscovery of the traditional arts throughout south India[2] and continued through the 1970s surge of general worldwide interest in martial arts.[8] In recent years, efforts have been made to further popularise the art, with it featuring in international and Indian films such as Ondanondu kaladalli (Kannada), Indian (1996), Asoka (2001), The Myth (2005), The Last Legion (2007) and Commando (2013).

Variations

Kalaripayattu has three regional variants that are distinguished by their attacking and defensive patterns.

Northern kalaripayattu

Main article: Northern kalaripayattu

Northern kalaripayattu (vadakkan kalari) is practised mainly in North Malabar.[2] It places more emphasis on weapons than on empty hands.[2] Parashurama, sixth avatar of Vishnu, is believed to be the style's founder according to both oral and written tradition.[2] Masters in this system are usually known as gurukkal or occasionally as asan, and were often given honorific titles, especially Panikkar.[2] The northern Brahmin immigrants contributed their skills through the "Salai"s which were educational institutions imparting various branches of knowledge including military arts.
The northern style is distinguished by its meippayattu - physical training and use of full-body oil massage.[2] The system of treatment and massage, and the assumptions about practice are closely associated with ayurveda.[2] The purpose of medicinal oil massage is to increase the practitioners' flexibility, to treat muscle injuries incurred during practice, or when a patient has problems related to the bone tissue, the muscles, or nerve system. The term for such massages is thirumal and the massage specifically for physical flexibility Chavutti Thirumal which literally means "stamping massage" or "foot massage". The masseuse may use their feet and body weight to massage the person.
There are several lineages/styles (sampradayam), of which 'thulunadan' is considered as the best. In olden times, students went to Tulunadu kalari's to overcome their defects (kuttam theerkkal). There are schools which teach more than one of these traditions. Some traditional kalari around Kannur for example teach a blend of arappukai, pillatanni, and katadanath styles.[4]

Southern kalaripayattu

The original style of southern kalarippayattu was known as "Dronambilli" is now extinct. Masters are known as asaan.[2] It is practised largely by the Nadar, Kallar and Thevar castes and has features distinguishing it from its other regional counterparts.[3] The stages of training are chuvatu (solo forms), jodi (partner training/sparring), kurunthadi (short stick), neduvadi (long stick), katthi (knife), katar (dagger), valum parichayum (sword and shield), chuttuval (flexible sword), double sword, kalari grappling and marma (pressure points).[4]
Zarrilli refers to southern kalaripayattu as varma ati (the law of hitting), marma ati (hitting the vital spots) or varma kalai (art of varma).[2] The preliminary empty handed techniques of varma ati are known as adithada (hit/defend).[2] Marma ati refers specifically to the application of these techniques to vital spots.[2] Weapons include bamboo staves, short sticks, and the double deer horns.[2]
Medical treatment in the southern styles is identified with siddha,[8] the traditional Dravidian system of medicine distinct from north Indian ayurveda. The Siddha medical system, otherwise known as siddha vaidyam, is also attributed to Agastya.

Central kalaripayattu

Main article: Central kalaripayattu
The Madhya Kalari (central style) of kalaripayat is practised mainly in Northern parts of Kerala. It diverse distinctive techniques with heavy emphasis on application, which are performed within floor paths known as kalam.[1] The Madhya(central) Kalari has many different styles which place heavy emphasis on lower body strength and speed through thorough practice of various chuvadu, only after which participants advance into weaponry and advanced studies.[2]

Styles

Various kalari styles as specified in Vadakkan Pattukal,
Kadathanatan Kalari
Karuvancheri Kalari
Kodumala Kalari
Kolastri Nadu Kalari
Kurungot Kalari
Mathilur Kalari
Mayyazhi Kalari
Melur Kalari
Nadapuram Kalari
Panoor Madham Kalari
Payyampalli Kalari
Ponniyam Kalari
Puthusseri Kalari
Puthuram Kalari
Thacholi Kalari
Thotuvor Kalari
Tulunadan Kalari

The kalari payatu festival and origin

Main article: Kalari

Gurukkal praying before puttara CVN Kalari, Ettumanoor
A kalari is the school or training hall where martial arts are taught. They were originally constructed according to vastu sastra with the entrance facing east and the main door situated on the centre-right. Sciences like mantra saastra[citation needed], tantra saastra[citation needed]and marma saastra are utilized to balance the space's energy level. The training area comprises a puttara (seven tiered platform) in the south-west corner. The guardian deity (usually an avatar of Bhagavathi, Kali or Shiva) is located here, and is worshipped with flowers, incense and water before each training session which is preceded by a prayer. Northern styles are practiced in special roofed pits where the floor is 3.5 feet below the ground level and made of wet red clay meant to give a cushioning effect and prevent injury. The depth of the floor protects the practitioner from winds that could hamper body temperature. Southern styles are usually practiced in the open air or in an unroofed enclosure of palm branches.[2] Traditionally, when a kalari was closed down it would be made into a small shrine dedicated to the guardian deity.

Marmashastram and massage

Main article: Marmam
It is claimed that learned warriors can disable or kill their opponents by merely touching the correct marmam (vital point). This is taught only to the most promising and level-headed persons, to discourage misuse of the technique. Marmashastram stresses on the knowledge of marmam and is also used for marma treatment (marmachikitsa). This system of marma treatment comes under siddha vaidhyam, attributed to the sage Agastya and his disciples. Critics of kalaripayattu have pointed out that the application of marmam techniques against neutral outsiders has not always produced verifiable results. The earliest mention of marmam is found in the Rig Veda where Indra is said to have defeated Vritra by attacking his marman with a vajra.[9] References to marman also found in the Atharva Veda.[10] With numerous other scattered references to vital points in Vedic and epic sources, it is certain that India's early martial artists knew about and practised attacking or defending vital points.[11] Sushruta (c. 6th century BC) identified and defined 107 vital points of the human body in his Sushruta Samhita.[12] Of these 107 points, 64 were classified as being lethal if properly struck with a fist or stick.[13] Sushruta's work formed the basis of the medical discipline ayurveda, which was taught alongside various Indian martial arts that had an emphasis on vital points, such as varma kalai and marma adi.[13]
As a result of learning about the human body, Indian martial artists became knowledgeable in the field of traditional medicine and massage. Kalaripayattu teachers often provide massages (uzhichil) with medicinal oils to their students in order to increase their physical flexibility or to treat muscle injuries encountered during practice. Such massages are generally termed thirumal and the unique massage given to increase flexibility is known as katcha thirumal. It is said to be as sophisticated as the uzhichil treatment of ayurveda. Kalaripayattu has borrowed extensively from ayurveda and equally lends to it.[citation needed]

Benefits of kalari treatment

  1. Helps to free emotions and psychological blocks.
  2. Allows sports people, dancers and performers to keep their body flexible and in superb state.
  3. Stimulate the three circulatory systems of the body covering the back and front of the body, every muscle and ligament. The lymph system is the most directly affected creating a detoxifying effect and leaves you rejuvenated.
  4. Helps to relieve body aches.
  5. Deepens the breathing pattern.
  6. Links mental and physical aspects of the body and increases mental concentration and energy.

Weapons

Although no longer used in sparring sessions, weapons are an important part of kalaripayattu. This is especially true for the northern styles which are mostly weapon-based. Some of the weapons mentioned in medieval Sangam literature have fallen into disuse over time and are rarely taught in kalaripayattu today.
Weapons historically used in kalaripayat
Venmazhu
Axe
Ambu & Villu (Ambum Villum)
Arrow & Bow
Ponti
Small Club
Thotti
Hook Spear/Elephant goad
Kaduthala
Forward Curved Sword
Kaduthila.jpeg
Trisool
Trident
Weapons currently used in kalaripayat
Kalaripayattu weapons.jpg
Val
Sword
Paricha
Shield
Kettukari/Neduvadi/Shareeravadi
Staff
Kuruvadi/Kurunthadi/Cheruvadi/Muchan
Short Stick
Chotta chan/Marma(Varma)Kol
1 span stick
Thundu/Thuvala/Thala
Towel/Sash/Long strip of cloth
Kuntham
Spear
Vettukathi
Machete
Gada
Mace/Club
Churika
Double edged short sword
Churika 1025 AD.JPG
Maduvu
Deer-horn dagger
Kattari/Kataram/
Mara pidicha Kataram/Katar (dagger)
Fist Dagger
Toweroflondonkatar.jpg
Otta
Curved stick (Reverse hand Grip)
Urumi/Churuttuval/Surul Val
Flexible sword

Shansou

Sanda or Sanshou or an "unsanctioned fight" is a Chinese self-defense system and combat sport. Sanshou is a martial art which was originally developed by the Chinese military based upon the study and practices of traditional Kung fu and modern combat fighting techniques; it combines full-contact kickboxing, which include close range and rapid successive punches and kicks, with wrestling, takedowns, throws, sweeps, kick catches, and in some competitions, even elbow and knee strikes.[2][3]
Not seen as a style itself, rather it is considered as just one of the two components of Chinese martial arts training and is often taught alongside with taolu (forms) training. However, as part of the development of sport wushu by the Chinese government, a standard curriculum for sanshou was developed. It is to this standard curriculum that the term "Sanshou" is usually applied.
This curriculum was developed with reference to traditional Chinese martial arts. This general Sanshou curriculum varies in its different forms, as the Chinese government developed a version for civilians for self-defense and as a sport.

Curriculum

The generalized modern curriculum practiced in modern wushu schools is composed of different traditional martial arts fighting styles from China, but mainly based on scientific efficiency. Sanshou is composed of Chinese martial arts applications including most aspects of combat including striking and grappling, however when Sanshou was developed as a sport, restrictions were made for safety reasons as well as to promote it as a non-violent sport. Examples of such restrictions included no blows delivered to the back of the head, throat, spine or groin and the discontinuation of the combat when any of the fighters fall to the ground. However many schools, whether traditional or modern, practice it as an all round martial arts system with no restrictions, only adapting their training in relation to competition rules prior to the event. Sanshou tournaments are one of the two disciplines recognized by the International Wushu Federation.
Sanshou's competitive history involved barehanded or lei tai fights in which no rules existed. However, even sanshou as a competitive event developed in the military as these bouts were commonly held between the soldiers to test and practice barehanded martial skills, ability and techniques. Rules were developed and the use of protective gloves etc. was adopted. It was originally used by the Kuomintang at the first modern military academy in Whampoa in the 1920s.[4] Later it was also adopted as a method by the People's Liberation Army of China.
One can see Sanshou as a synthesis of traditional Chinese fighting techniques into a more amorphous system and is commonly taught alongside traditional Chinese styles which Sanshou techniques, theory and training methods are derived from. The emphasis of Sanshou is on realistic fighting ability.[5]

Sport variation

Yùndòng Sǎndǎ (Mandarin Chinese, Sport Free Fighting), or Jingzheng Sǎndǎ (Mandarin Chinese, Competitive Free Fighting): A modern fighting method, sport, and applicable component of Wushu / Kung Fu influenced by traditional Chinese Boxing, of which takedowns & throws are legal in competition, as well as all other sorts of striking (use of arms & legs). Chinese wrestling methods called Shuai Jiao and other Chinese grappling techniques such as Chin Na. It has all the combat aspects of wushu.
Sanda appears much like Kickboxing or Muay Thai, but includes many more grappling techniques. Sanda fighting competitions are often held alongside taolu or form competitions. Sanda represents the modern development of Lei Tai contests, but with rules in place to reduce the chance of serious injury. Many Chinese martial art schools teach or work within the rule sets of Sanda, working to incorporate the movements, characteristics, and theory of their style.
Chinese martial artists also compete in non-Chinese or mixed combat sports, including Boxing, Kickboxing and Mixed Martial Arts.[6] Sanda is practiced in tournaments and is normally held alongside taolu events in wushu competition. For safety reasons, some techniques from the self-defense form such as elbow strikes, chokes, and joint locks, are not allowed during tournaments. Competitors can win by knockout or points which are earned by landing strikes to the body or head, throwing an opponent, or when competition is held on a raised lei tai platform, pushing them off the platform. Fighters are only allowed to clinch for a few seconds. If the clinch is not broken by the fighters, and if neither succeeds in throwing his opponent within the time limit, the referee will break the clinch. In the U.S., competitions are held either in boxing rings or on the raised lei tai platform. Amateur fighters wear protective gear.
"Amateur Sanda" allows kicks, punches, knees (not to the head), and throws. A competition held in China, called the "King of Sanda", is held in a ring similar to a boxing ring in design but larger in dimension. As professionals, they wear no protective gear except for gloves, cup, and mouthpiece, and "Professional Sanda" allows knee strikes (including to the head) as well as kicking, punching and throwing.
Some Sanda fighters have participated in fighting tournaments such as K-1 and Shoot Boxing. They have had some degree of success, especially in Shoot boxing competitions, which is more similar to Sanda. Due to the rules of Kickboxing competition, Sanda fighters are subjected to more limitations than usual. Also notable competitors in China's mainstream Mixed Martial Arts competitions, Art of War Fighting Championship and Ranik Ultimate Fighting Federation are dominantly of wushu background. Sanda has been featured in many style-versus-style competitions. Muay Thai is frequently pitted against Sanda as is Karate, Kickboxing, & Tae Kwon Do. Although it is less common, some Sanda practitioners have also fought in the publicly viewed American Mixed Martial Arts competitions.

Notable competitors

Some well-known Chinese Sanshou fighters include Bao Li Gao, and Liu Hailong who is known as "The Conqueror of Muay Thai" as he has beaten many of the top Muay Thai fighters[citation needed]. Some Sanshou fighters well known in the United States include the IKF and former Strikeforce middleweight champion, Cung Le,[7] and Marvin Perry.[8] Other Sanshou based fighters who have entered MMA include KJ Noons, Patrick Barry, UFC fighter Zhang Tiequan.[9] Muslim Salihov, the European and world champion from Russia beat 4 top Chinese fighters from different weight categories, including the Chinese champion from the 90 kg category and became the first non-Chinese to claim the "King of Sanda" title.

Military Variation

Jūnshì Sǎndǎ (Mandarin Chinese, Military Free Fighting): A system of unarmed combat that was designed by Chinese Elite Forces based upon their intense study of traditional martial arts such as traditional Kung Fu, Shuai Jiao, Chin Na and modern hand-to-hand fighting and combat philosophy to develop a realistic system of unarmed fighting for the Chinese military. Jùnshì Sǎndǎ employs all parts of the body as anatomical weapons to attack and counter with, by using what the Chinese consider to be the four basic martial arts techniques:
  • Da – Upper-Body Striking – using fists, open hands, fingers, elbows, shoulders, forearms and the head
  • Ti – Lower-Body Striking – including kicks, knees and stomping
  • Shuai – Throws – using Wrestling and Judo-like takedowns and sweeps, and
  • Chin-Na – Seizing – which includes jointlocks, strangulation and other submissions

Boxing

Boxing (pugilism, prize fighting, the sweet science or in Greek pygmachia) is a combat sport in which two people engage in a contest of strength, speed, reflexes, endurance, and will, by throwing punches with gloved hands against each other.
Amateur boxing is both an Olympic and Commonwealth sport and is a common fixture in most of the major international games—it also has its own World Championships. Boxing is supervised by a referee over a series of one- to three-minute intervals called rounds. The result is decided when an opponent is deemed incapable to continue by a referee, is disqualified for breaking a rule, resigns by throwing in a towel, or is pronounced the winner or loser based on the judges' scorecards at the end of the contest.
The origin of boxing may be its acceptance by the ancient Greeks as an Olympic game in BCE 688. Boxing evolved from 16th- and 18th-century prizefights, largely in Great Britain, to the forerunner of modern boxing in the mid-19th century, again initially in Great Britain and later in the United States.

Early history

Minoan youths boxing, Akrotiri (Santorini) fresco. Earliest documented use of 'gloves'.
See also Ancient Greek boxing
First depicted in ancient Egyptian relief from the 2nd millennium BC depicts both fist-fighters and spectators.[1] Both depictions show bare-fisted contests.[1] Other depictions in the 2nd millennium BC can be seen in reliefs from the Mesopotamian nations of Assyria and Babylonia, and in Hittite art from Asia Minor. The earliest evidence for fist fighting with any kind of gloves can be found on Minoan Crete (c. 1500–900 BC), and on Sardinia, if we consider the boxing statues of Prama mountains (c. 2000–1000 BC).[1]
Early boxing
Boxing was originally nothing more than bare fist fighting between two willing and sometimes unwilling competitors. As a sport, fighting has been around for thousands of years where it first arose in parts of Africa, including Ancient Egypt before spreading to parts of Southern Europe. The Ancient Greeks believed that fighting was a game played by the Gods on Olympus.
The Romans had a keen interest in the sport and fighting soon became a common spectator sport. In order for the fighters to protect themselves against their opponents they wrapped leather thongs around their fists. Eventually harder leather was used and the thong soon became a weapon. The Romans even introduced metal studs to the thongs to make the cestus which then led to a more sinister weapon called the myrmex (‘limb piercer’). Fighting events were held at Roman Amphitheatres. The Roman form of boxing was often a fight until death to please the spectators who gathered at such events. However, especially in later times, purchased slaves and trained combat performers were valuable commodities, and their lives were not given up without due consideration. Often slaves were used against one another in a circle marked on the floor. This is where the term ring came from. In 393 AD, during the Roman gladiator period, boxing was abolished due to excessive brutality. It was not until the late 17th century that boxing re-surfaced in London.

Modern boxing

Broughton's rules (1743)

A straight right demonstrated in Edmund Price's The Science of Defense: A Treatise on Sparring and Wrestling, 1867
Records of Classical boxing activity disappeared after the fall of the Western Roman Empire when the wearing of weapons became common once again and interest in fighting with the fists waned. However, there are detailed records of various fist-fighting sports that were maintained in different cities and provinces of Italy between the 12th and 17th centuries. There was also a sport in ancient Rus called Kulachniy Boy or "Fist Fighting".
As the wearing of swords became less common, there was renewed interest in fencing with the fists. The sport would later resurface in England during the early 16th century in the form of bare-knuckle boxing sometimes referred to as prizefighting. The first documented account of a bare-knuckle fight in England appeared in 1681 in the London Protestant Mercury, and the first English bare-knuckle champion was James Figg in 1719.[2] This is also the time when the word "boxing" first came to be used. It should be noted, that this earliest form of modern boxing was very different. Contests in Mr. Figg's time, in addition to fist fighting, also contained fencing and cudgeling. On 6 January 1681, the first recorded boxing match took place in Britain when Christopher Monck, 2nd Duke of Albemarle (and later Lieutenant Governor of Jamaica) engineered a bout between his butler and his butcher with the latter winning the prize.
Early fighting had no written rules. There were no weight divisions or round limits, and no referee. In general, it was extremely chaotic. The first boxing rules, called the Broughton's rules, were introduced by champion Jack Broughton in 1743 to protect fighters in the ring where deaths sometimes occurred.[3] Under these rules, if a man went down and could not continue after a count of 30 seconds, the fight was over. Hitting a downed fighter and grasping below the waist were prohibited. Broughton also invented and encouraged the use of "mufflers", a form of padded gloves, which were used in training and exhibitions. The first paper on boxing was published in the early 1700s by a successful Cornish Wrestler from Bunnyip, Cornwall, named Sir Thomas Parkyns, who was also a Physics student of Sir Isaac Newton. The paper was actually a single page in his extensive Wrestling & Fencing manual that entailed a system of headbutting, punching, eye gouging, chokes, and hard throws not common in modern Boxing.[4] Parkyns added the techniques described in his paper to his own fighting style.
Tom Cribb vs Tom Molineaux in a re-match for the heavyweight championship of England, 1811
These rules did allow the fighters an advantage not enjoyed by today's boxers; they permitted the fighter to drop to one knee to begin a 30-second count at any time. Thus a fighter realizing he was in trouble had an opportunity to recover. However, this was considered "unmanly"[5] and was frequently disallowed by additional rules negotiated by the Seconds of the Boxers.[6] Intentionally going down in modern boxing will cause the recovering fighter to lose points in the scoring system. Furthermore, as the contestants did not have heavy leather gloves and wristwraps to protect their hands, they used different punching technique to preserve their hands because the head was a common target to hit full out as almost all period manuals have powerful straight punches with the whole body behind them to the face (including forehead) as the basic blows.[7][8]

London Prize Ring rules (1838)

In 1838, the London Prize Ring rules were codified. Later revised in 1853, they stipulated the following:[9]
  • Fights occurred in a 24 feet (7.3 m)-square ring surrounded by ropes.
  • If a fighter were knocked down, he had to rise within 30 seconds under his own power to be allowed to continue.
  • Biting, headbutting and hitting below the belt were declared illegal.

Marquess of Queensberry rules (1867)

In 1867, the Marquess of Queensberry rules were drafted by John Chambers for amateur championships held at Lillie Bridge in London for Lightweights, Middleweights and Heavyweights. The rules were published under the patronage of the Marquess of Queensberry, whose name has always been associated with them.
The June 1894 Leonard–Cushing bout. Each of the six one-minute rounds recorded by the Kinetograph was made available to exhibitors for $22.50.[10] Customers who watched the final round saw Leonard score a knockdown.
There were twelve rules in all, and they specified that fights should be "a fair stand-up boxing match" in a 24-foot-square or similar ring. Rounds were three minutes with one-minute rest intervals between rounds. Each fighter was given a ten-second count if he were knocked down, and wrestling was banned.
The introduction of gloves of "fair-size" also changed the nature of the bouts. An average pair of boxing gloves resembles a bloated pair of mittens and are laced up around the wrists.[11] The gloves can be used to block an opponent's blows. As a result of their introduction, bouts became longer and more strategic with greater importance attached to defensive maneuvers such as slipping, bobbing, countering and angling. Because less defensive emphasis was placed on the use of the forearms and more on the gloves, the classical forearms outwards, torso leaning back stance of the bare knuckle boxer was modified to a more modern stance in which the torso is tilted forward and the hands are held closer to the face.

Modern

Through the late nineteenth century, the martial art of boxing or prizefighting was primarily a sport of dubious legitimacy. Outlawed in England and much of the United States, prizefights were often held at gambling venues and broken up by police. [12] Brawling and wrestling tactics continued, and riots at prizefights were common occurrences. Still, throughout this period, there arose some notable bare knuckle champions who developed fairly sophisticated fighting tactics.
The English case of R v. Coney in 1882 found that a bare-knuckle fight was an assault occasioning actual bodily harm, despite the consent of the participants. This marked the end of widespread public bare-knuckle contests in England.
The first world heavyweight champion under the Queensberry Rules was "Gentleman Jim" Corbett, who defeated John L. Sullivan in 1892 at the Pelican Athletic Club in New Orleans.[13]
Throughout the early twentieth century, boxers struggled to achieve legitimacy, aided by the influence of promoters like Tex Rickard and the popularity of great champions from John L. Sullivan to David Olivas.

Rules

The Marquess of Queensberry rules have been the general rules governing modern boxing since their publication in 1867.
A boxing match typically consists of a determined number of three-minute rounds, a total of up to 12 rounds (formerly 15). A minute is typically spent between each round with the fighters in their assigned corners receiving advice and attention from their coach and staff. The fight is controlled by a referee who works within the ring to judge and control the conduct of the fighters, rule on their ability to fight safely, count knocked-down fighters, and rule on fouls.
Up to three judges are typically present at ringside to score the bout and assign points to the boxers, based on punches that connect, defense, knockdowns, and other, more subjective, measures. Because of the open-ended style of boxing judging, many fights have controversial results, in which one or both fighters believe they have been "robbed" or unfairly denied a victory. Each fighter has an assigned corner of the ring, where his or her coach, as well as one or more "seconds" may administer to the fighter at the beginning of the fight and between rounds. Each boxer enters into the ring from their assigned corners at the beginning of each round and must cease fighting and return to their corner at the signaled end of each round.
A bout in which the predetermined number of rounds passes is decided by the judges, and is said to "go the distance". The fighter with the higher score at the end of the fight is ruled the winner. With three judges, unanimous and split decisions are possible, as are draws. A boxer may win the bout before a decision is reached through a knock-out ; such bouts are said to have ended "inside the distance". If a fighter is knocked down during the fight, determined by whether the boxer touches the canvas floor of the ring with any part of their body other than the feet as a result of the opponent's punch and not a slip, as determined by the referee, the referee begins counting until the fighter returns to his or her feet and can continue.
Should the referee count to ten, then the knocked-down boxer is ruled "knocked out" (whether unconscious or not) and the other boxer is ruled the winner by knock-out (KO). A "technical knock-out" (TKO) is possible as well, and is ruled by the referee, fight doctor, or a fighter's corner if a fighter is unable to safely continue to fight, based upon injuries or being judged unable to effectively defend themselves. Many jurisdictions and sanctioning agencies also have a "three-knockdown rule", in which three knockdowns in a given round result in a TKO. A TKO is considered a knockout in a fighter's record. A "standing eight" count rule may also be in effect. This gives the referee the right to step in and administer a count of eight to a fighter that he feels may be in danger, even if no knockdown has taken place. After counting the referee will observe the fighter, and decide if he is fit to continue. For scoring purposes, a standing eight count is treated as a knockdown.
Ingemar Johansson of Sweden KO's heavyweight champion Floyd Patterson, 26 June 1959.
In general, boxers are prohibited from hitting below the belt, holding, tripping, pushing, biting, or spitting. The boxer's shorts are raised so the opponent is not allowed to hit to the groin area with intent to cause pain or injury. Failure to abide by the former may result in a foul. They also are prohibited from kicking, head-butting, or hitting with any part of the arm other than the knuckles of a closed fist (including hitting with the elbow, shoulder or forearm, as well as with open gloves, the wrist, the inside, back or side of the hand). They are prohibited as well from hitting the back, back of the neck or head (called a "rabbit-punch") or the kidneys. They are prohibited from holding the ropes for support when punching, holding an opponent while punching, or ducking below the belt of their opponent (dropping below the waist of your opponent, no matter the distance between).
If a "clinch" – a defensive move in which a boxer wraps his or her opponents arms and holds on to create a pause – is broken by the referee, each fighter must take a full step back before punching again (alternatively, the referee may direct the fighters to "punch out" of the clinch). When a boxer is knocked down, the other boxer must immediately cease fighting and move to the furthest neutral corner of the ring until the referee has either ruled a knockout or called for the fight to continue.
Violations of these rules may be ruled "fouls" by the referee, who may issue warnings, deduct points, or disqualify an offending boxer, causing an automatic loss, depending on the seriousness and intentionality of the foul. An intentional foul that causes injury that prevents a fight from continuing usually causes the boxer who committed it to be disqualified. A fighter who suffers an accidental low-blow may be given up to five minutes to recover, after which they may be ruled knocked out if they are unable to continue. Accidental fouls that cause injury ending a bout may lead to a "no contest" result, or else cause the fight to go to a decision if enough rounds (typically four or more, or at least three in a four-round fight) have passed.
Unheard of these days, but common during the early 20th Century in North America, a "newspaper decision (NWS)" might be made after a no decision bout had ended. A "no decision" bout occurred when, by law or by pre-arrangement of the fighters, if both boxers were still standing at the fight's conclusion and there was no knockout, no official decision was rendered and neither boxer was declared the winner. But this did not prevent the pool of ringside newspaper reporters from declaring a consensus result among themselves and printing a newspaper decision in their publications. Officially, however, a "no decision" bout resulted in neither boxer winning or losing. Boxing historians sometimes use these unofficial newspaper decisions in compiling fight records for illustrative purposes only. Often, media outlets covering a match will personally score the match, and post their scores as an independent sentence in their report.

Professional vs. amateur boxing

Throughout the 17th through 19th centuries, boxing bouts were motivated by money, as the fighters competed for prize money, promoters controlled the gate, and spectators bet on the result. The modern Olympic movement revived interest in amateur sports, and amateur boxing became an Olympic sport in 1908. In their current form, Olympic and other amateur bouts are typically limited to three or four rounds, scoring is computed by points based on the number of clean blows landed, regardless of impact, and fighters wear protective headgear, reducing the number of injuries, knockdowns, and knockouts.[14] Currently scoring blows in amateur boxing are subjectively counted by ringside judges, but the Australian Institute for Sport has demonstrated a prototype of an Automated Boxing Scoring System, which introduces scoring objectivity, improves safety, and arguably makes the sport more interesting to spectators. Professional boxing remains by far the most popular form of the sport globally, though amateur boxing is dominant in Cuba and some former Soviet republics. For most fighters, an amateur career, especially at the Olympics, serves to develop skills and gain experience in preparation for a professional career.

Amateur boxing

Main article: Amateur boxing
Nicola Adams is an Olympic gold medallist female boxer.
Amateur boxing may be found at the collegiate level, at the Olympic Games and Commonwealth Games, and in many other venues sanctioned by amateur boxing associations. Amateur boxing has a point scoring system that measures the number of clean blows landed rather than physical damage. Bouts consist of three rounds of three minutes in the Olympic and Commonwealth Games, and three rounds of three minutes in a national ABA (Amateur Boxing Association) bout, each with a one-minute interval between rounds.
Competitors wear protective headgear and gloves with a white strip or circle across the knuckle. A punch is considered a scoring punch only when the boxers connect with the white portion of the gloves. Each punch that lands cleanly on the head or torso with sufficient force is awarded a point. A referee monitors the fight to ensure that competitors use only legal blows. A belt worn over the torso represents the lower limit of punches – any boxer repeatedly landing low blows below the belt is disqualified. Referees also ensure that the boxers don't use holding tactics to prevent the opponent from swinging. If this occurs, the referee separates the opponents and orders them to continue boxing. Repeated holding can result in a boxer being penalized or ultimately disqualified. Referees will stop the bout if a boxer is seriously injured, if one boxer is significantly dominating the other or if the score is severely imbalanced.[15] Amateur bouts which end this way may be noted as "RSC" (referee stopped contest) with notations for an outclassed opponent (RSCO), outscored opponent (RSCOS), injury (RSCI) or head injury (RSCH).

Professional boxing

Main article: Professional boxing
Firpo sending Dempsey outside the ring; painting by George Bellows.
Professional bouts are usually much longer than amateur bouts, typically ranging from ten to twelve rounds, though four round fights are common for less experienced fighters or club fighters. There are also some two-[16] and three-round professional bouts,[17] especially in Australia. Through the early twentieth century, it was common for fights to have unlimited rounds, ending only when one fighter quit, benefiting high-energy fighters like Jack Dempsey. Fifteen rounds remained the internationally recognized limit for championship fights for most of the twentieth century until the early 1980s, when the death of boxer Duk Koo Kim eventually prompted the World Boxing Council and other organizations sanctioning professional boxing to reduce the limit to twelve rounds.
Headgear is not permitted in professional bouts, and boxers are generally allowed to take much more damage before a fight is halted. At any time, however, the referee may stop the contest if he believes that one participant cannot defend himself due to injury. In that case, the other participant is awarded a technical knockout win. A technical knockout would also be awarded if a fighter lands a punch that opens a cut on the opponent, and the opponent is later deemed not fit to continue by a doctor because of the cut. For this reason, fighters often employ cutmen, whose job is to treat cuts between rounds so that the boxer is able to continue despite the cut. If a boxer simply quits fighting, or if his corner stops the fight, then the winning boxer is also awarded a technical knockout victory. In contrast with amateur boxing, professional male boxers have to be bare chested.[18]

Boxing styles

Definition of style

"Style" is often defined as the strategic approach a fighter takes during a bout. No two fighters' styles are alike, as it is determined by that individual's physical and mental attributes. There are three main styles in boxing: out-fighter ("boxer"), brawler (or "slugger"), and In-fighter ("swarmer"). These styles may be divided into several special subgroups, such as counter puncher, etc. The main philosophy of the styles is, that each style has an advantage over one, but disadvantage over the other one. It follows the rock-paper-scissors scenario - boxer beats brawler, swarmer beats boxer, and brawler beats swarmer.[19]

Boxer/out-fighter

Heavyweight champion Muhammad Ali is a typical example of an out-fighter.
A classic "boxer" or stylist (also known as an "out-fighter") seeks to maintain distance between himself and his opponent, fighting with faster, longer range punches, most notably the jab, and gradually wearing his opponent down. Due to this reliance on weaker punches, out-fighters tend to win by point decisions rather than by knockout, though some out-fighters have notable knockout records. They are often regarded as the best boxing strategists due to their ability to control the pace of the fight and lead their opponent, methodically wearing him down and exhibiting more skill and finesse than a brawler.[20] Out-fighters need reach, hand speed, reflexes, and footwork.
Notable out-fighters include Muhammad Ali, Larry Holmes, Joe Calzaghe, Floyd Mayweather Jr., Wilfredo Gómez, Salvador Sanchez, Cecilia Brækhus, Gene Tunney,[21] Ezzard Charles,[22] Willie Pep,[23] Meldrick Taylor, Ricardo Lopez, Roy Jones, Jr., and Sugar Ray Leonard. This style was also used by fictional boxer Apollo Creed.
Boxer-puncher
A boxer-puncher is a well-rounded boxer who is able to fight at close range with a combination of technique and power, often with the ability to knock opponents out with a combination and in some instances a single shot. Their movement and tactics are similar to that of an out-fighter (although they are generally not as mobile as an out-fighter),[24] but instead of winning by decision, they tend to wear their opponents down using combinations and then move in to score the knockout. A boxer must be well rounded to be effective using this style.
Notable boxer-punchers include Manny Pacquiao, Wladimir Klitschko, Lennox Lewis, Joe Louis,[25] Wilfredo Gómez, Oscar de la Hoya, Archie Moore, Miguel Cotto, Nonito Donaire, Sam Langford,[26] Henry Armstrong,[27] Sugar Ray Robinson,[28] Tony Zale, Carlos Monzón,[29] Alexis Argüello, Erik Morales, Terry Norris, Marco Antonio Barrera, Naseem Hamed, Thomas Hearns and Victor Ortiz.
Counter puncher
Counter punchers are slippery, defensive style fighters who often rely on their opponent's mistakes in order to gain the advantage, whether it be on the score cards or more preferably a knockout. They use their well-rounded defense to avoid or block shots and then immediately catch the opponent off guard with a well placed and timed punch. A fight with a skilled counter-puncher can turn into a war of attrition, where each shot landed is a battle in itself. Thus, fighting against counter punchers requires constant feinting and the ability to avoid telegraphing ones attacks. To be truly successful using this style they must have good reflexes, a high level of prediction and awareness, pinpoint accuracy and speed, both in striking and in footwork.
Notable counter punchers include Vitali Klitschko, Floyd Mayweather, Jr., Evander Holyfield, Max Schmeling, Chris Byrd, Jim Corbett, Jack Johnson, Bernard Hopkins, Laszlo Papp, Jerry Quarry, Anselmo Moreno, James Toney, Marvin Hagler, Juan Manuel Márquez, Humberto Soto, Roger Mayweather, Pernell Whitaker and Sergio Gabriel Martinez.
Counter punchers usually wear their opponents down by causing them to miss their punches. The more the opponent misses, the faster they'll tire, and the psychological effects of being unable to land a hit will start to sink in. The counter puncher often tries to outplay their opponent entirely, not just in a physical sense, but also in a mental and emotional sense. This style can be incredibly difficult, especially against seasoned fighters, but winning a fight without getting hit is often worth the pay-off. They usually try to stay away from the center of the ring, in order to outmaneuver and chip away at their opponents. A large advantage in counter-hitting is the forward momentum of the attacker, which drives them further into your return strike. As such, knockouts are more common than one would expect from a defensive style.

Brawler/slugger

Famous brawler George Foreman
A brawler is a fighter who generally lacks finesse and footwork in the ring, but makes up for it through sheer punching power. Mainly Irish, Irish-American, Puerto Rican, Mexican, and Mexican-American boxers popularized this style. Many brawlers tend to lack mobility, preferring a less mobile, more stable platform and have difficulty pursuing fighters who are fast on their feet. They may also have a tendency to ignore combination punching in favour of continuous beat-downs with one hand and by throwing slower, more powerful single punches (such as hooks and uppercuts). Their slowness and predictable punching pattern (single punches with obvious leads) often leaves them open to counter punches, so successful brawlers must be able to absorb substantial amounts of punishment. However not all brawler/slugger fighters are not mobile, some can move around and switch styles if needed but still have the brawler/slugger style such as Wilfredo Gómez, Prince Naseem Hamed and Danny García.
A brawler's most important assets are power and chin (the ability to absorb punishment while remaining able to continue boxing). Examples of this style include George Foreman, Danny García, Wilfredo Gómez, Sonny Liston, John L. Sullivan, Max Baer, Prince Naseem Hamed, Ray Mancini, David Tua, Arturo Gatti, Micky Ward, Michael Katsidis, James Kirkland, Marcos Maidana, Jake Lamotta, Manny Pacquiao, and Ireland's John Duddy. This style of boxing was also used by fictional boxers Rocky Balboa and James "Clubber" Lang.
Brawlers tend to be more predictable and easy to hit but usually fare well enough against other fighting styles because they train to take punches very well. They often have a higher chance than other fighting styles to score a knockout against their opponents because they focus on landing big, powerful hits, instead of smaller, faster attacks. Oftentimes they place focus on training on their upper body instead of their entire body, to increase power and endurance. They also aim to intimidate their opponents because of their power, stature and ability to take a punch.

Swarmer/in-fighter

Undefeated heavyweight champion Rocky Marciano was an excellent swarmer and in-fighter but also had the power of a brawler.
In-fighters/swarmers (sometimes called "pressure fighters") attempt to stay close to an opponent, throwing intense flurries and combinations of hooks and uppercuts. A successful in-fighter often needs a good "chin" because swarming usually involves being hit with many jabs before they can maneuver inside where they are more effective. In-fighters operate best at close range because they are generally shorter and have less reach than their opponents and thus are more effective at a short distance where the longer arms of their opponents make punching awkward. However, several fighters tall for their division have been relatively adept at in-fighting as well as out-fighting.
The essence of a swarmer is non-stop aggression. Many short in-fighters utilize their stature to their advantage, employing a bob-and-weave defense by bending at the waist to slip underneath or to the sides of incoming punches. Unlike blocking, causing an opponent to miss a punch disrupts his balance, permits forward movement past the opponent's extended arm and keeps the hands free to counter. A distinct advantage that in-fighters have is when throwing uppercuts where they can channel their entire bodyweight behind the punch; Mike Tyson was famous for throwing devastating uppercuts. Marvin Hagler was known for his hard "chin", punching power, body attack and the stalking of his opponents. Some in-fighters, like Mike Tyson, have been known for being notoriously hard to hit. The key to a swarmer is aggression, endurance, chin, and bobbing-and-weaving.
Notable in-fighters include Julio César Chávez, Miguel Cotto, Joe Frazier, Danny García, Mike Tyson, Manny Pacquiao, Saúl Álvarez, Rocky Marciano, Jack Dempsey,[30] Wayne McCullough, Harry Greb,[31][32] David Tua and Ricky Hatton.

Combinations of styles

All fighters have primary skills with which they feel most comfortable, but truly elite fighters are often able to incorporate auxiliary styles when presented with a particular challenge. For example, an out-fighter will sometimes plant his feet and counter punch, or a slugger may have the stamina to pressure fight with his power punches.

Style matchups

Louis vs. Schmeling, 1936
There is a generally accepted rule of thumb about the success each of these boxing styles has against the others. In general, an in-fighter has an advantage over an out-fighter, an out-fighter has an advantage over a brawler, and a brawler has an advantage over an in-fighter; these form a cycle with each style being stronger relative to one, and weaker relative to another, with none dominating, as in rock-paper-scissors. Naturally, many other factors, such as the skill level and training of the combatants, determine the outcome of a fight, but the widely held belief in this relationship among the styles is embodied in the cliché amongst boxing fans and writers that "styles make fights."
Brawlers tend to overcome swarmers or in-fighters because, in trying to get close to the slugger, the in-fighter will invariably have to walk straight into the guns of the much harder-hitting brawler, so, unless the former has a very good chin and the latter's stamina is poor, the brawler's superior power will carry the day. A famous example of this type of match-up advantage would be George Foreman's knockout victory over Joe Frazier in their original bout "The Sunshine Showdown".
Although in-fighters struggle against heavy sluggers, they typically enjoy more success against out-fighters or boxers. Out-fighters prefer a slower fight, with some distance between themselves and the opponent. The in-fighter tries to close that gap and unleash furious flurries. On the inside, the out-fighter loses a lot of his combat effectiveness, because he cannot throw the hard punches. The in-fighter is generally successful in this case, due to his intensity in advancing on his opponent and his good agility, which makes him difficult to evade. For example, the swarming Joe Frazier, though easily dominated by the slugger George Foreman, was able to create many more problems for the boxer Muhammad Ali in their three fights. Joe Louis, after retirement, admitted that he hated being crowded, and that swarmers like untied/undefeated champ Rocky Marciano would have caused him style problems even in his prime.
The boxer or out-fighter tends to be most successful against a brawler, whose slow speed (both hand and foot) and poor technique makes him an easy target to hit for the faster out-fighter. The out-fighter's main concern is to stay alert, as the brawler only needs to land one good punch to finish the fight. If the out-fighter can avoid those power punches, he can often wear the brawler down with fast jabs, tiring him out. If he is successful enough, he may even apply extra pressure in the later rounds in an attempt to achieve a knockout. Most classic boxers, such as Muhammad Ali, enjoyed their best successes against sluggers.
An example of a style matchup was the historical fight of Julio César Chávez, a swarmer or in-fighter, against Meldrick Taylor, the boxer or out-fighter (see Julio César Chávez vs. Meldrick Taylor). The match was nicknamed "Thunder Meets Lightning" as an allusion to punching power of Chávez and blinding speed of Taylor. Chávez was the epitome of the "Mexican" style of boxing. Taylor's hand and foot speed and boxing abilities gave him the early advantage, allowing him to begin building a large lead on points. Chávez remained relentless in his pursuit of Taylor and due to his greater punching power Chávez slowly punished Taylor. Coming into the later rounds, Taylor was bleeding from the mouth, his entire face was swollen, the bones around his eye socket had been broken, he had swallowed a considerable amount of his own blood, and as he grew tired, Taylor was increasingly forced into exchanging blows with Chávez, which only gave Chávez a greater chance to cause damage. While there was little doubt that Taylor had solidly won the first three quarters of the fight, the question at hand was whether he would survive the final quarter. Going into the final round, Taylor held a secure lead on the scorecards of two of the three judges. Chávez would have to knock Taylor out to claim a victory, whereas Taylor merely needed to stay away from the Mexican legend. However, Taylor did not stay away, but continued to trade blows with Chávez. As he did so, Taylor showed signs of extreme exhaustion, and every tick of the clock brought Taylor closer to victory unless Chávez could knock him out. With about a minute left in the round, Chávez hit Taylor squarely with several hard punches and stayed on the attack, continuing to hit Taylor with well-placed shots. Finally, with about 25 seconds to go, Chávez landed a hard right hand that caused Taylor to stagger forward towards a corner, forcing Chávez back ahead of him. Suddenly Chávez stepped around Taylor, positioning him so that Taylor was trapped in the corner, with no way to escape from Chávez' desperate final flurry. Chávez then nailed Taylor with a tremendous right hand that dropped the younger man. By using the ring ropes to pull himself up, Taylor managed to return to his feet and was given the mandatory 8-count. Referee Richard Steele asked Taylor twice if he was able to continue fighting, but Taylor failed to answer. Steele then concluded that Taylor was unfit to continue and signaled that he was ending the fight, resulting in a TKO victory for Chávez with only two seconds to go in the bout.

Equipment

Since boxing involves forceful, repetitive punching, precautions must be taken to prevent damage to bones in the hand. Most trainers do not allow boxers to train and spar without wrist wraps and boxing gloves. Hand wraps are used to secure the bones in the hand, and the gloves are used to protect the hands from blunt injury, allowing boxers to throw punches with more force than if they did not utilize them. Gloves have been required in competition since the late nineteenth century, though modern boxing gloves are much heavier than those worn by early twentieth-century fighters. Prior to a bout, both boxers agree upon the weight of gloves to be used in the bout, with the understanding that lighter gloves allow heavy punchers to inflict more damage. The brand of gloves can also affect the impact of punches, so this too is usually stipulated before a bout.
A mouth guard is important to protect the teeth and gums from injury, and to cushion the jaw, resulting in a decreased chance of knockout. Both fighters must wear soft soled shoes to reduce the damage from accidental (or intentional) stepping on feet. While older boxing boots more commonly resembled those of a professional wrestler, modern boxing shoes and boots tend to be quite similar to their amateur wrestling counterparts.
Boxers practice their skills on two basic types of punching bags. A small, tear-drop-shaped "speed bag" is used to hone reflexes and repetitive punching skills, while a large cylindrical "heavy bag" filled with sand, a synthetic substitute, or water is used to practice power punching and body blows. In addition to these distinctive pieces of equipment, boxers also utilize sport-nonspecific training equipment to build strength, speed, agility, and stamina. Common training equipment includes free weights, rowing machines, jump rope, and medicine balls.
Boxing matches typically take place in a boxing ring, a raised platform surrounded by ropes attached to posts rising in each corner. The term "ring" has come to be used as a metaphor for many aspects of prize fighting in general.

Technique

Stance

The modern boxing stance differs substantially from the typical boxing stances of the 19th and early 20th centuries. The modern stance has a more upright vertical-armed guard, as opposed to the more horizontal, knuckles-facing-forward guard adopted by early 20th century hook users such as Jack Johnson.
In a fully upright stance, the boxer stands with the legs shoulder-width apart and the rear foot a half-step in front of the lead man. Right-handed or orthodox boxers lead with the left foot and fist (for most penetration power). Both feet are parallel, and the right heel is off the ground. The lead (left) fist is held vertically about six inches in front of the face at eye level. The rear (right) fist is held beside the chin and the elbow tucked against the ribcage to protect the body. The chin is tucked into the chest to avoid punches to the jaw which commonly cause knock-outs and is often kept slightly offcenter. Wrists are slightly bent to avoid damage when punching and the elbows are kept tucked in to protect the ribcage. Some boxers fight from a crouch, leaning forward and keeping their feet closer together. The stance described is considered the "textbook" stance and fighters are encouraged to change it around once it's been mastered as a base. Case in point, many fast fighters have their hands down and have almost exaggerated footwork, while brawlers or bully fighters tend to slowly stalk their opponents.
Left-handed or southpaw fighters use a mirror image of the orthodox stance, which can create problems for orthodox fighters unaccustomed to receiving jabs, hooks, or crosses from the opposite side. The southpaw stance, conversely, is vulnerable to a straight right hand.
North American fighters tend to favor a more balanced stance, facing the opponent almost squarely, while many European fighters stand with their torso turned more to the side. The positioning of the hands may also vary, as some fighters prefer to have both hands raised in front of the face, risking exposure to body shots.
Modern boxers can sometimes be seen tapping their cheeks or foreheads with their fists in order to remind themselves to keep their hands up (which becomes difficult during long bouts). Boxers are taught to push off with their feet in order to move effectively. Forward motion involves lifting the lead leg and pushing with the rear leg. Rearward motion involves lifting the rear leg and pushing with the lead leg. During lateral motion the leg in the direction of the movement moves first while the opposite leg provides the force needed to move the body.

Punches

There are four basic punches in boxing: the jab, cross, hook and uppercut. Any punch other than a jab is considered a power punch. If a boxer is right-handed (orthodox), his left hand is the lead hand and his right hand is the rear hand. For a left-handed boxer or southpaw, the hand positions are reversed. For clarity, the following discussion will assume a right-handed boxer.
  • Jab – A quick, straight punch thrown with the lead hand from the guard position. The jab is accompanied by a small, clockwise rotation of the torso and hips, while the fist rotates 90 degrees, becoming horizontal upon impact. As the punch reaches full extension, the lead shoulder can be brought up to guard the chin. The rear hand remains next to the face to guard the jaw. After making contact with the target, the lead hand is retracted quickly to resume a guard position in front of the face.
    • The jab is recognized as the most important punch in a boxer's arsenal because it provides a fair amount of its own cover and it leaves the least amount of space for a counter punch from the opponent. It has the longest reach of any punch and does not require commitment or large weight transfers. Due to its relatively weak power, the jab is often used as a tool to gauge distances, probe an opponent's defenses, harass an opponent, and set up heavier, more powerful punches. A half-step may be added, moving the entire body into the punch, for additional power. Some notable boxers who have been able to develop relative power in their jabs and use it to punish or 'wear down' their opponents to some effect include Larry Holmes and Wladimir Klitschko.
  • Cross – A powerful, straight punch thrown with the rear hand. From the guard position, the rear hand is thrown from the chin, crossing the body and traveling towards the target in a straight line. The rear shoulder is thrust forward and finishes just touching the outside of the chin. At the same time, the lead hand is retracted and tucked against the face to protect the inside of the chin. For additional power, the torso and hips are rotated counter-clockwise as the cross is thrown. A measure of an ideally extended cross is that the shoulder of the striking arm, the knee of the front leg and the ball of the front foot are on the same vertical plane.[33]
    • Weight is also transferred from the rear foot to the lead foot, resulting in the rear heel turning outwards as it acts as a fulcrum for the transfer of weight. Body rotation and the sudden weight transfer is what gives the cross its power. Like the jab, a half-step forward may be added. After the cross is thrown, the hand is retracted quickly and the guard position resumed. It can be used to counter punch a jab, aiming for the opponent's head (or a counter to a cross aimed at the body) or to set up a hook. The cross is also called a "straight" or "right", especially if it does not cross the opponent's outstretched jab.
  • Hook – A semi-circular punch thrown with the lead hand to the side of the opponent's head. From the guard position, the elbow is drawn back with a horizontal fist (knuckles pointing forward) and the elbow bent. The rear hand is tucked firmly against the jaw to protect the chin. The torso and hips are rotated clockwise, propelling the fist through a tight, clockwise arc across the front of the body and connecting with the target.
    • At the same time, the lead foot pivots clockwise, turning the left heel outwards. Upon contact, the hook's circular path ends abruptly and the lead hand is pulled quickly back into the guard position. A hook may also target the lower body and this technique is sometimes called the "rip" to distinguish it from the conventional hook to the head. The hook may also be thrown with the rear hand. Notable left hookers include Joe Frazier and Mike Tyson.
Ricardo Dominguez (left) throws an uppercut on Rafael Ortiz (right).[34]
  • Uppercut – A vertical, rising punch thrown with the rear hand. From the guard position, the torso shifts slightly to the right, the rear hand drops below the level of the opponent's chest and the knees are bent slightly. From this position, the rear hand is thrust upwards in a rising arc towards the opponent's chin or torso.
    • At the same time, the knees push upwards quickly and the torso and hips rotate anti-clockwise and the rear heel turns outward, mimicking the body movement of the cross. The strategic utility of the uppercut depends on its ability to "lift" the opponent's body, setting it off-balance for successive attacks. The right uppercut followed by a left hook is a deadly combination employing the uppercut to lift the opponent's chin into a vulnerable position, then the hook to knock the opponent out.
These different punch types can be thrown in rapid succession to form combinations or "combos". The most common is the jab and cross combination, nicknamed the "one-two combo". This is usually an effective combination, because the jab blocks the opponent's view of the cross, making it easier to land cleanly and forcefully.
A large, swinging circular punch starting from a cocked-back position with the arm at a longer extension than the hook and all of the fighter's weight behind it is sometimes referred to as a "roundhouse", "haymaker", or sucker-punch. Relying on body weight and centripetal force within a wide arc, the roundhouse can be a powerful blow, but it is often a wild and uncontrolled punch that leaves the fighter delivering it off balance and with an open guard.
Wide, looping punches have the further disadvantage of taking more time to deliver, giving the opponent ample warning to react and counter. For this reason, the haymaker or roundhouse is not a conventional punch, and is regarded by trainers as a mark of poor technique or desperation. Sometimes it has been used, because of its immense potential power, to finish off an already staggering opponent who seems unable or unlikely to take advantage of the poor position it leaves the puncher in.
Another unconventional punch is the rarely used bolo punch, in which the opponent swings an arm out several times in a wide arc, usually as a distraction, before delivering with either that or the other arm.
An illegal punch to the back of the head or neck is known as a rabbit punch.

Defense

There are several basic maneuvers a boxer can use in order to evade or block punches, depicted and discussed below.
  • SlipSlipping rotates the body slightly so that an incoming punch passes harmlessly next to the head. As the opponent's punch arrives, the boxer sharply rotates the hips and shoulders. This turns the chin sideways and allows the punch to "slip" past. Muhammad Ali was famous for extremely fast and close slips, as was an early Mike Tyson.
A slipper will also most likely be a good counter puncher. Most of the time a slipper will immediately strike their opponent back.
  • Sway or fade – To anticipate a punch and move the upper body or head back so that it misses or has its force appreciably lessened. Also called "rolling with the punch" or " Riding The Punch".
  • Duck or break – To drop down with the back straight so that a punch aimed at the head glances or misses entirely.
  • Bob and weaveBobbing moves the head laterally and beneath an incoming punch. As the opponent's punch arrives, the boxer bends the legs quickly and simultaneously shifts the body either slightly right or left. Once the punch has been evaded, the boxer "weaves" back to an upright position, emerging on either the outside or inside of the opponent's still-extended arm. To move outside the opponent's extended arm is called "bobbing to the outside". To move inside the opponent's extended arm is called "bobbing to the inside". Joe Frazier, Jack Dempsey, Mike Tyson and Rocky Marciano were masters of bobbing and weaving.
  • Parry/blockParrying or blocking uses the boxer's shoulder, hands or arms as defensive tools to protect against incoming attacks. A block generally receives a punch while a parry tends to deflect it. A "palm", "catch", or "cuff" is a defense which intentionally takes the incoming punch on the palm portion of the defender's glove. Floyd Mayweather Jr., is a master of this technique.
  • The cover-Up – Covering up is the last opportunity (other than rolling with a punch) to avoid an incoming strike to an unprotected face or body. Generally speaking, the hands are held high to protect the head and chin and the forearms are tucked against the torso to impede body shots. When protecting the body, the boxer rotates the hips and lets incoming punches "roll" off the guard. To protect the head, the boxer presses both fists against the front of the face with the forearms parallel and facing outwards. This type of guard is weak against attacks from below.
  • The clinch – Clinching is a form of trapping or a rough form of grappling and occurs when the distance between both fighters has closed and straight punches cannot be employed. In this situation, the boxer attempts to hold or "tie up" the opponent's hands so he is unable to throw hooks or uppercuts. To perform a clinch, the boxer loops both hands around the outside of the opponent's shoulders, scooping back under the forearms to grasp the opponent's arms tightly against his own body. In this position, the opponent's arms are pinned and cannot be used to attack. Clinching is a temporary match state and is quickly dissipated by the referee. Clinching is technically against the rules, and in amateur fights points are deducted fairly quickly for it. It is unlikely, however, to see points deducted for a clinch in professional boxing.
Philly Shell or Shoulder roll defense -This is actually a variation of the cross-arm defense. The lead arm (left for an orthodox fighter and right for a southpaw) is placed across the torso usually somewhere in between the belly button and chest and the lead hand rests on the opposite side of the fighter's torso. The back hand is placed on the side of the face (right side for orthodox fighters and left side for southpaws). The lead shoulder is brought in tight against the side of the face (left side for orthodox fighters and right side for southpaws). This style is used by fighters who like to counterpunch.[35]
To execute this guard a fighter must be very athletic and experienced. This style is so effective for counterpunching because it allows fighters to slip punches by rotating and dipping their upper body and causing blows to glance off the fighter. After the punch glances off, the fighter's back hand is in perfect position to hit their out-of-position opponent. The shoulder lean is used in this stance. To execute the shoulder lean a fighter rotates and ducks (to the right for orthodox fighters and to the left for southpaws) when their opponents punch is coming towards them and then rotates back towards their opponent while their opponent is bringing their hand back.
The fighter will throw a punch with their back hand as they are rotating towards their undefended opponent. The weakness to this style is that when a fighter is stationary and not rotating they are open to be hit so a fighter must be athletic and well conditioned to effectively execute this style. To beat this style, fighters like to jab their opponents shoulder causing the shoulder and arm to be in pain and to demobilize that arm. Fighters that used this defense include Sugar Ray Robinson, Ken Norton (also used this defense), Pernell Whitaker, James Toney, and Floyd Mayweather Jr.. Floyd Mayweather Jr., is considered to be the master of this technique.

Less common strategies

  • The "rope-a-dope" strategy : Used by Muhammad Ali in his 1974 "the Rumble in the Jungle" bout against George Foreman, the rope-a-dope method involves lying back against the ropes, covering up defensively as much as possible and allowing the opponent to attempt numerous punches. The back-leaning posture, which does not cause the defending boxer to become as unbalanced as they would during normal backward movement, also maximizes the distance of the defender's head from his opponent, increasing the probability that punches will miss their intended target. Weathering the blows that do land, the defender lures the opponent into expending energy while conserving his/her own. If successful, the attacking opponent will eventually tire, creating defensive flaws which the boxer can exploit. In modern boxing, the rope-a-dope is generally discouraged since most opponents are not fooled by it and few boxers possess the physical toughness to withstand a prolonged, unanswered assault. Recently, however, eight-division world champion Manny Pacquiao skillfully used the strategy to gauge the power of welterweight titlist Miguel Cotto in November 2009. Pacquiao followed up the rope-a-dope gambit with a withering knockdown.
  • Bolo punch : Occasionally seen in Olympic boxing, the bolo is an arm punch which owes its power to the shortening of a circular arc rather than to transference of body weight; it tends to have more of an effect due to the surprise of the odd angle it lands at rather than the actual power of the punch. This is more of a gimmick than a technical maneuver; this punch is not taught, being on the same plane in boxing technicality as is the Ali shuffle. Nevertheless, a few professional boxers have used the bolo-punch to great effect, including former welterweight champions Sugar Ray Leonard, and Kid Gavilan. Middleweight champion Ceferino Garcia is regarded as the inventor of the bolo punch.
  • Overhand right : The overhand right is a punch not found in every boxer's arsenal. Unlike the right cross, which has a trajectory parallel to the ground, the overhand right has a looping circular arc as it is thrown over-the-shoulder with the palm facing away from the boxer. It is especially popular with smaller stature boxers trying to reach taller opponents. Boxers who have used this punch consistently and effectively include former heavyweight champions Rocky Marciano and Tim Witherspoon, as well as MMA champions Chuck Liddell and Fedor Emelianenko. The overhand right has become a popular weapon in other tournaments that involve fist striking.
  • Check hook : A check hook is employed to prevent aggressive boxers from lunging in. There are two parts to the check hook. The first part consists of a regular hook. The second, trickier part involves the footwork. As the opponent lunges in, the boxer should throw the hook and pivot on his left foot and swing his right foot 180 degrees around. If executed correctly, the aggressive boxer will lunge in and sail harmlessly past his opponent like a bull missing a matador. This is rarely seen in professional boxing as it requires a great disparity in skill level to execute. Technically speaking it has been said that there is no such thing as a check hook and that it is simply a hook applied to an opponent that has lurched forward and past his opponent who simply hooks him on the way past. Others have argued that the check hook exists but is an illegal punch due to it being a pivot punch which is illegal in the sport.
Floyd Mayweather, Jr. employed the use of a check hook against Ricky Hatton, which sent Hatton flying head first into the corner post and being knocked down. Hatton managed to get himself to his feet after the knockdown but was clearly dazed and it was only a matter of moments before Mayweather landed a flurry of punches which sent Hatton crashing to the canvas, giving Mayweather a TKO victory in the 10th round and handing Hatton his first defeat.

Ring corner

Boxer Yusuf Ahmed in corner of the ring.
In boxing, each fighter is given a corner of the ring where he rests in between rounds and where his trainers stand. Typically, three men stand in the corner besides the boxer himself; these are the trainer, the assistant trainer and the cutman. The trainer and assistant typically give advice to the boxer on what he is doing wrong as well as encouraging him if he is losing. The cutman is a cutaneous doctor responsible for keeping the boxer's face and eyes free of cuts and blood. This is of particular importance because many fights are stopped because of cuts that threaten the boxer's eyes.
In addition, the corner is responsible for stopping the fight if they feel their fighter is in grave danger of permanent injury. The corner will occasionally throw in a white towel to signify a boxer's surrender (the idiomatic phrase "to throw in the towel", meaning to give up, derives from this practice).[36] This can be seen in the fight between Diego Corrales and Floyd Mayweather. In that fight, Corrales' corner surrendered despite Corrales' steadfast refusal.

Medical concerns

Knocking a person unconscious or even causing concussion may cause permanent brain damage.[37] There is no clear division between the force required to knock a person out and the force likely to kill a person.[38] Since 1980, more than 200 amateur boxers, professional boxers and Toughman fighters have died due to ring or training injuries.[39] In 1983, the Journal of the American Medical Association called for a ban on boxing. The editor, Dr. George Lundberg, called boxing an "obscenity" that "should not be sanctioned by any civilized society."[40] Since then, the British,[41] Canadian[42] and Australian[43] Medical Associations also have called for bans on boxing.
Supporters of the ban state that boxing is the only sport where hurting the other athlete is the goal. Dr. Bill O'Neill, boxing spokesman for the British Medical Association, has supported the BMA's proposed ban on boxing: "It is the only sport where the intention is to inflict serious injury on your opponent, and we feel that we must have a total ban on boxing."[44] Opponents respond that such a position is misguided opinion, stating that amateur boxing is scored solely according to total connecting blows with no award for "injury". They observe that many skilled professional boxers have had rewarding careers without inflicting injury on opponents by accumulating scoring blows and avoiding punches winning rounds scored 10-9 by the 10-point must system, and they note that there are many other sports where concussions are much more prevalent.[45] In 2007, one study of amateur boxers showed that protective headgear did not prevent brain damage,[46] and another found that amateur boxers faced a high risk of brain damage.[47] The Gothenburg study analyzed temporary levels of neurofiliment light in cerebral spinal fluid which they conclude is evidence of damage, even though the levels soon subside. More comprehensive studies of neurologiocal function on larger samples performed by Johns Hopkins University and accident rates analyzed by National Safety Council show amateur boxing is a comparatively safe sport.
In 1997, the American Association of Professional Ringside Physicians was established to create medical protocols through research and education to prevent injuries in boxing.[48][49]
Professional boxing is forbidden in Norway, Iceland, Iran and North Korea. It was banned in Sweden until 2007[50] when the ban was lifted but strict restrictions, including four three-minute rounds for fights, were imposed.[citation needed] It was banned in Albania from 1965 till the fall of Communism in 1991; it is now legal.

Boxing Hall of Fame

Stamp honoring undefeated heavyweight champion Gene Tunney
The sport of boxing has two internationally recognized boxing halls of fame; the International Boxing Hall of Fame (IBHOF) and the World Boxing Hall of Fame (WBHF), with the IBHOF being the more widely recognized boxing hall of fame.
The WBHF was founded by Everett L. Sanders in 1980. Since its inception the WBHOF has never had a permanent location or museum, which has allowed the more recent IBHOF to garner more publicity and prestige. Among the notable names[citation needed] in the WBHF are Ricardo "Finito" Lopez, Gabriel "Flash" Elorde, Michael Carbajal, Khaosai Galaxy, Henry Armstrong, Jack Johnson, Roberto Durán, George Foreman, Ceferino Garcia and Salvador Sanchez. Boxing's International Hall of Fame was inspired by a tribute an American town held for two local heroes in 1982. The town, Canastota, New York, (which is about 15 miles (24 km) east of Syracuse, via the New York State Thruway), honored former world welterweight/middleweight champion Carmen Basilio and his nephew, former world welterweight champion Billy Backus. The people of Canastota raised money for the tribute which inspired the idea of creating an official, annual hall of fame for notable boxers.
The International Boxing Hall of Fame opened in Canastota in 1989. The first inductees in 1990 included Jack Johnson, Benny Leonard, Jack Dempsey, Henry Armstrong, Sugar Ray Robinson, Archie Moore, and Muhammad Ali. Other world-class figures[citation needed] include Salvador Sanchez, Fabio Martella, Roberto "Manos de Piedra" Durán, Ricardo Lopez, Gabriel "Flash" Elorde, Vicente Saldivar, Ismael Laguna, Eusebio Pedroza, Carlos Monzón, Azumah Nelson, Rocky Marciano, Pipino Cuevas and Ken Buchanan. The Hall of Fame's induction ceremony is held every June as part of a four-day event.
The fans who come to Canastota for the Induction Weekend are treated to a number of events, including scheduled autograph sessions, boxing exhibitions, a parade featuring past and present inductees, and the induction ceremony itself.

Governing and sanctioning bodies

IBF, IBO, WBO and WBA Heavyweight Champion, Ukrainian Vladimir Klitschko.
Governing Bodies
Sanctioning Bodies
Amateur